Our Season Schools are held in the holiday periods between terms.
Season Schools are our way to offer unique and interesting combinations of artist-teachers and subjects in an intense focussed multi-day format. Suitable for people who have a good foundation in ceramics but wish to deepen their knowledge in particular areas not usually offered in our term format.
Jump on our mailing list to be informed of upcoming offerings before we open to the public.
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Some examples of past offerings below.
- Summer School ’26: Vitality of Clay, Ceramics for Regenerative Practice with Pattie Beerens, Pie Bolton and Claire Ellis
- Spring School ’25: Unconventional Clay with Aaron Scythe, Trudy Golley, and Paul Leathers
- Spring School ’24: Thinking Tools for the Journey with Shannon Garson, Ben Richardson, and Jane Sawyer
- Winter School ’23: The Middle Glazes with Matt Katz
- Spring School ’22: Ceramics and Culture with Gary Mcphedran
- Touch-Respond: advanced wheel throwing with Jane Sawyer
- Winter School ’22: Surfacing with Janet DeBoos and Mould Making for Slip Casting with Gregory Bonasera
- Developing Personal Expression with Prue Venables/Pilar Rojas
- Setting Up Your Ceramics Studio with Jane Sawyer/ Alana Casey
- Clay, Kilns & Firing with Judith Roberts/Robert Barron/Pie Bolton/Janet DeBoos
- Ceramics in Context with Gary Mcphedran
- Glaze Development with Greg Daly/Pilar Rojas
- Concept and Meaning with Jane Sawyer
- Surface Design with Prue Venables
- Contemporary International Ceramics with Jane Sawyer
- Drawing for Design and Expression with Sarah Tomasetti
- Unleashing the Inner Critic with Jane Sawyer
- Design Basics with Simon Lloyd
- Design for Slip Casting with Somchai Charoen
Reviews of past offerings: “The Studio Practice Program at Slow Clay Centre is one of the best pottery related experiences I’ve had so far, it was a week packed with information with great teachers and guidance.”
“A great opportunity to pause and reflect on what motivates and inspires my practice”
“I loved my subjects. They tapped into a lovely creative headspace. As a creative professional, I did not think it was going over old ground as there is no limit to how much help we need generating creative ideas and getting unstuck.”
“I was most stimulated by the unlocking of new creative territories via my special object…”
“I was left itching to explore some of these ideas!”
